EXHIBITION: Mana BSMT Presents: N. M. Brandreth’s Phantasmagoria’s Seeing Shadows

Apr. 26–Jun. 7, 2019
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Have you ever glimpsed a movement out of the corner of your eye and turned to find nothing there? Have you ever bolted up the basement steps convinced that something was down there with you? Seeing Shadows attempts to visualize these sensations as photographic objects. Derived from Brandreth’s love for horror and the macabre, and from the histories of photography and film, these unique handmade works are at once seductive and utterly uncanny.

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PANEL AND EXHIBITION: Watercolor Rediscovered: Whistler in the Nineteenth Century

Watercolor Rediscovered: Whistler in the Nineteenth Century
Exhibition: May 18, 2019–October 6, 2019
Freer Gallery of Art, galleries 10 and 11

James McNeill Whistler reinvented himself as an artist in the 1880s and painted his way into posterity with the help of watercolor. Beginning in 1881, he created a profusion of small, marketable works over the next fifteen years. “I have done delightful things,” he confided, “and have a wonderful game to play.” For Whistler, the word “game” referred to the watercolors themselves and to his plans for selling them.

Museum founder Charles Lang Freer amassed the world’s largest collection of Whistler’s watercolors, with more than fifty seascapes, nocturnes, interior views, and street scenes. His vast collection also included prints, drawings, pastels, and oil paintings by the artist. Due to Freer’s will, these works have never left the museum, and the fragile watercolors have rarely been displayed. Recent research conducted by museum curators, scientists, and conservators now shines new light on Whistler’s materials, techniques, and artistic genius, as seen in this first major exhibition of his watercolors at the Freer Gallery since the 1930s.

In conjunction with the opening of Whistler in Watercolor, explore the development of watercolor in the Victorian era and James McNeill Whistler’s contributions to the genre at an event on Sunday, May 19, 2019, 2pm.
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CFP: “Weather the Weather,” a group exhibition by SciArt Center

A group exhibition by SciArt Center at the New York Hall of Science
September 10th, 2019 – January 10th, 2020

Deadline to submit: June 3rd, 11:59pm EST
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The weather is ever-present, often dramatic, and always uncontrollable. SciArt welcomes submissions surrounding the topics of studying, understanding, and experiencing the weather.​

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EXHIBITION: ​​New Age, New Age: Strategies for Survival

April 25 – August 11, 2019
DePaul Art Museum
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​​New Age, New Age: Strategies for Survival is an exhibition of work from the last fifteen years by contemporary artists who appropriate, critique, or embrace “New Age” aesthetics and concerns from a 21st century perspective. Emerging in the 1960s and 1970s against a backdrop of war, social strife and a crisis of modernity, the multifaceted New Age “movement” was characterized by alternative approaches to traditional Western culture, with an interest in spirituality, mysticism, holism, and environmentalism. It embodied a complicated conflation of politics, religion, science, social communities, art, music, and self-realization. Often dismissed for its association with drugged out hippies or flower-power children, how can New Age philosophies and practices be reconsidered today as relevant movement for social change and wellness?

Artists include:
Maikoiyo Alley-Barnes, Lise Haller Baggesen, Alun Be, Elijah Burgher, D. Denenge Duyst-Akpem, Whit Forrester, Desirée Holman, Cathy Hsiao, Michiko Itatani, Rashid Johnson, Marva Lee Pitchford-Jolly, Jenny Kendler, Liz Magic Laser, Matt Morris, Shana Moulton, Heidi Norton, Tony Oursler, Mai-Thu Perret, Robert Pruitt, Bob Ross, Luis A. Sahagun, Mindy Rose Schwartz, Suzanne Treister, Rhonda Wheatley, Megan Whitmarsh and Jade Gordon, Saya Woolfalk​

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EXHIBITION: The Codex and Crafts in Late Antiquity (February 23–July 8, 2018)

Bard Graduate Center, February 23 – July 8, 2018

The transition from roll to codex as the standard format for the book is one of the most culturally significant innovations of late antiquity, the period between the third and eighth centuries AD.

This exhibition offers a concise history of the first steps of the codex book format from a technical and technological point of view. Specifically it focuses on the different techniques used to turn leaves of papyrus or parchment into a functional book that could be safely used and preserved.

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EXHIBITION: Anti-Confucian Propaganda in Mao’s China

Anti-Confucian Propaganda in Mao’s China is a compelling exhibition installed in Geisel West, 2nd Floor near Special Collections & Archives on the University of California, San Diego campus. Collected by Matthew Wills, a doctoral candidate in the Department of History, the materials in the exhibition reflect a 1970s campaign to reinforce the power of political elites and affirm the absolute correctness of Maoist socialism. Some of these materials are no longer available in China.

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Interview with Janet Echelman

This interview with Janet Echelman is from the Washington Post’s series of conversations with artists about how they create. The interview includes images of her wonderfully crafted art. For those who don’t know her, her transformative public sculptures soar and ripple. For the past 20 years she has designed projects scaled to big city buildings made with braided fiber and projected light.

Here’s the link.

GRACE HUDSON MUSEUM: Aurelius O. Carpenter: Photographer of the Mendocino Frontier

Schenck, Marvin A.; Holmes, Karen; Smith-Ferri, Sherrie. Aurelius O. Carpenter: Photographer of the Mendocino Frontier. Grace Hudson Museum, 2006. ISBN: 0974030023. Unmarked. Very Good. Paperback. (#29903) $16.00

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Exhibition: “Small Steps, Giant Leaps: Apollo 11 at Fifty”

Exhibition: “Small Steps, Giant Leaps: Apollo 11 at Fifty
April 30-August 3rd, 2019

Marks the 50th anniversary of the Apollo 11 moon landing. Combines works from Houghton’s history of science collections, including first editions of Copernicus, Newton, and Galileo, with highlights on loan from a private spaceflight collection, including materials used in the Apollo mission and on the lunar surface.

The exhibition is accompanied by a commemorative catalog which focuses on the loaned items only and is also available for free online here.

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CONNAISSANCE DES ARTS: Nabis (Connaissance des Arts)

Nabis (Connaissance des Arts), book coverConnaissance des Arts. Nabis 1970. Unmarked. L’Exposition du Grand Palais sticker on cover. Text in French. Very Good. Paperback. (#29902) $15.00

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