January 11, 6pm–8pm
Apr. 26–Jun. 7, 2019
Have you ever glimpsed a movement out of the corner of your eye and turned to find nothing there? Have you ever bolted up the basement steps convinced that something was down there with you? Seeing Shadows attempts to visualize these sensations as photographic objects. Derived from Brandreth’s love for horror and the macabre, and from the histories of photography and film, these unique handmade works are at once seductive and utterly uncanny.
Watercolor Rediscovered: Whistler in the Nineteenth Century
Exhibition: May 18, 2019–October 6, 2019
Freer Gallery of Art, galleries 10 and 11
James McNeill Whistler reinvented himself as an artist in the 1880s and painted his way into posterity with the help of watercolor. Beginning in 1881, he created a profusion of small, marketable works over the next fifteen years. “I have done delightful things,” he confided, “and have a wonderful game to play.” For Whistler, the word “game” referred to the watercolors themselves and to his plans for selling them.
Museum founder Charles Lang Freer amassed the world’s largest collection of Whistler’s watercolors, with more than fifty seascapes, nocturnes, interior views, and street scenes. His vast collection also included prints, drawings, pastels, and oil paintings by the artist. Due to Freer’s will, these works have never left the museum, and the fragile watercolors have rarely been displayed. Recent research conducted by museum curators, scientists, and conservators now shines new light on Whistler’s materials, techniques, and artistic genius, as seen in this first major exhibition of his watercolors at the Freer Gallery since the 1930s.
In conjunction with the opening of Whistler in Watercolor, explore the development of watercolor in the Victorian era and James McNeill Whistler’s contributions to the genre at an event on Sunday, May 19, 2019, 2pm.
Continue reading “PANEL AND EXHIBITION: Watercolor Rediscovered: Whistler in the Nineteenth Century”
A group exhibition by SciArt Center at the New York Hall of Science
September 10th, 2019 – January 10th, 2020
Deadline to submit: June 3rd, 11:59pm EST
The weather is ever-present, often dramatic, and always uncontrollable. SciArt welcomes submissions surrounding the topics of studying, understanding, and experiencing the weather.
April 25 – August 11, 2019
DePaul Art Museum
New Age, New Age: Strategies for Survival is an exhibition of work from the last fifteen years by contemporary artists who appropriate, critique, or embrace “New Age” aesthetics and concerns from a 21st century perspective. Emerging in the 1960s and 1970s against a backdrop of war, social strife and a crisis of modernity, the multifaceted New Age “movement” was characterized by alternative approaches to traditional Western culture, with an interest in spirituality, mysticism, holism, and environmentalism. It embodied a complicated conflation of politics, religion, science, social communities, art, music, and self-realization. Often dismissed for its association with drugged out hippies or flower-power children, how can New Age philosophies and practices be reconsidered today as relevant movement for social change and wellness?
Maikoiyo Alley-Barnes, Lise Haller Baggesen, Alun Be, Elijah Burgher, D. Denenge Duyst-Akpem, Whit Forrester, Desirée Holman, Cathy Hsiao, Michiko Itatani, Rashid Johnson, Marva Lee Pitchford-Jolly, Jenny Kendler, Liz Magic Laser, Matt Morris, Shana Moulton, Heidi Norton, Tony Oursler, Mai-Thu Perret, Robert Pruitt, Bob Ross, Luis A. Sahagun, Mindy Rose Schwartz, Suzanne Treister, Rhonda Wheatley, Megan Whitmarsh and Jade Gordon, Saya Woolfalk
Bard Graduate Center, February 23 – July 8, 2018
The transition from roll to codex as the standard format for the book is one of the most culturally significant innovations of late antiquity, the period between the third and eighth centuries AD.
This exhibition offers a concise history of the first steps of the codex book format from a technical and technological point of view. Specifically it focuses on the different techniques used to turn leaves of papyrus or parchment into a functional book that could be safely used and preserved.
Anti-Confucian Propaganda in Mao’s China is a compelling exhibition installed in Geisel West, 2nd Floor near Special Collections & Archives on the University of California, San Diego campus. Collected by Matthew Wills, a doctoral candidate in the Department of History, the materials in the exhibition reflect a 1970s campaign to reinforce the power of political elites and affirm the absolute correctness of Maoist socialism. Some of these materials are no longer available in China.
This interview with Janet Echelman is from the Washington Post’s series of conversations with artists about how they create. The interview includes images of her wonderfully crafted art. For those who don’t know her, her transformative public sculptures soar and ripple. For the past 20 years she has designed projects scaled to big city buildings made with braided fiber and projected light.
Here’s the link.
Exhibition: “Small Steps, Giant Leaps: Apollo 11 at Fifty”
April 30-August 3rd, 2019
Marks the 50th anniversary of the Apollo 11 moon landing. Combines works from Houghton’s history of science collections, including first editions of Copernicus, Newton, and Galileo, with highlights on loan from a private spaceflight collection, including materials used in the Apollo mission and on the lunar surface.
The exhibition is accompanied by a commemorative catalog which focuses on the loaned items only and is also available for free online here.
For centuries, artists and scientists have wrestled with how to convey three-dimensional objects on the page. Using some of the Bodleian Libraries’ finest books, manuscripts, prints and drawings, Thinking 3D tells the story of the development of three-dimensional communication over the last 500 years.
The exhibition shows how new techniques, developed from the Renaissance onwards, revolutionized the way that ideas in the fields of anatomy, architecture, astronomy and geometry were relayed and ultimately how this has influenced how we perceive the world today. Timed to celebrate the 500th anniversary of the death of Leonardo da Vinci, the exhibition shows how Leonardo and his contemporaries made great strides in the realistic depiction of 3D forms. Thinking 3D explores technological advances up to the present day including 3D modelling, photography and stereoscopy; and also highlights the works of modern practitioners and researchers in Oxford.
The exhibition will be accompanied by a range of other exhibitions and events across Oxford in 2019 as part of the Thinking 3D research project.
For more information, see: https://www.bodleian.ox.ac.uk/news/2019/mar-5