Apply for Rising: Crisis in Climate Residencies by April 13
A Studio in the Woods is now accepting applications for Rising: Climate in Crisis Residencies. The call is open to artists of all disciplines who have demonstrated an established dialogue with environmental and culturally related issues and a commitment to seeking and plumbing new depths. Residencies are 6 weeks, will take place between September 2020 and May 2021, and include a $2500 stipend and $2000 materials budget.
Proposals are due by April 13th and residencies will be awarded by June 12th, 2020. Direct questions to Cammie Hill-Prewitt at email@example.com.
Continue reading “Call for artists! Rising: Climate in Crisis Residencies at A Studio in the Woods”
Was Leonardo da Vinci’s World Map the First to Name America? A Quincentennial Reappraisal
In addition to his better known artistic, scientific and engineering talents, Leonardo da Vinci has an extensive reputation as a cartographer, drawing maps for a wide range of hydro-engineering projects for the rulers of Florence, Milan, Arezzo and the Vatican, amongst others. However, he is not generally acknowledged as authoring a world map (or mappamundi) spanning the globe, which was the domain of a few specialized cartographers of the era. Nevertheless, there is a world map among his papers in the Royal Library, Windsor, which has the correct overall configuration of the continents, including an ocean at the north pole and a continent at the south pole. Moreover, it has a unique cartographic projection onto eight spherical-geometry triangles that provide close to isometric projection throughout the globe.
This quincentennial anniversary year of his death in 1519 is an appropriate moment for a reappraisal of this contribution to global cartography. Although the authenticity of this world map has been questioned, there is an obscure page of his notebooks in the Codex Atlanticus containing a sketch of this precise form of global projection, tying him securely to its genesis. Moreover, the same notebook page contains sketches of eight other global projections known at that time (early C16th), from the Roman Ptolomaic conic section projection to Rossellli’s (1508) oval planispheric projection. This paper reassesses the dating of Da Vinci’s unique mappamundi to suggest that it predates that of Waldseemüller (1507), and may thus have been the first map to name both America and Florida.
Tyler, CW. 2019. “Was Leonardo da Vinci’s World Map the First to Name America? A Quincentennial Reappraisal,” Calafia Journal, 2:7-12. PDF
As we aim to learn more about the environment and global warming, one innovative approach is the study of trees. As it turns out, trees are giant organic recording devices. Indeed their rings contain information about past climate, civilizations, ecosystems and even galactic events, much of it many thousands of years old.
Labs around the world are studying this historical data and learning more about historical patterns of climate variations.
Continue reading “Trees Exposing the Historical Patterns of Weather and Climate”
For centuries, artists and scientists have wrestled with how to convey three-dimensional objects on the page. Using some of the Bodleian Libraries’ finest books, manuscripts, prints and drawings, Thinking 3D tells the story of the development of three-dimensional communication over the last 500 years.
The exhibition shows how new techniques, developed from the Renaissance onwards, revolutionized the way that ideas in the fields of anatomy, architecture, astronomy and geometry were relayed and ultimately how this has influenced how we perceive the world today. Timed to celebrate the 500th anniversary of the death of Leonardo da Vinci, the exhibition shows how Leonardo and his contemporaries made great strides in the realistic depiction of 3D forms. Thinking 3D explores technological advances up to the present day including 3D modelling, photography and stereoscopy; and also highlights the works of modern practitioners and researchers in Oxford.
The exhibition will be accompanied by a range of other exhibitions and events across Oxford in 2019 as part of the Thinking 3D research project.
For more information, see: https://www.bodleian.ox.ac.uk/news/2019/mar-5
Reviewed by Amy Ione, March 2018
The title of Lisa Sideris’ book, Consecrating Science: Wonder, Knowledge, and the Natural World, made me wonder: Would this consecration expose me to something wondrous? While I don’t think the word wondrous quite fits my response, the book is a rewarding read. Sideris, a talented writer, introduces pointed questions to guide her study. I was particularly impressed with her nuanced evaluation of the new cosmologies that claim to bring science and spirituality together. In addition, the author’s erudite discussion stands out as a refreshing example of why the kind of critical thinking encouraged by the humanities has value.
Continue reading “Book Review by Amy Ione: Consecrating Science: Wonder, Knowledge, and the Natural World”
Reviewed by Amy Ione, January 2018
Although creating a mess is not qualitatively the same as creating an original mathematical equation, what the word ‘creating’ denotes in each case is nonetheless clear. I cannot answer why we easily comprehend the meaning in both instances, but I do know that creativity’s amorphous and multidimensional reality is tantalizing even if our use of the word spans a spectrum of activities. In terms of discovery and human psychology, a good touchstone is a graphic that the creativity researcher Robert Sternberg put together titled “Cognitive Characteristic of Creative Persons” . In it he summarizes the views of 16 authors who contributed to an anthology he edited on this subject in 1988. One striking feature of the chart is that each author stressed multiple traits and yet no single trait was postulated by every one of the renowned contributors. Among them were Mihaly Csikszentmihaly, Howard Gardner, Howard Gruber, and Dean Simonton. Equally striking 30 years later is that the distribution of the 20 relevant characteristics they identified seems dated now. Nine of the experts, the second highest number for any trait, argued for specialization (or creativity in a particular domain) in 1988. Given the emphasis on transdisciplinary work in the 21st century, I would guess that this factor would not rank as high today. By contrast, the top characteristic, stressed by 11 of the 16 authors, seems to still hold. This is the use of existing knowledge as a basis for new ideas. Even so, at under 70% it was nonetheless not universally chosen.
Continue reading “Book Review by Amy Ione: The Runaway Species: How Human Creativity Remakes the World”
A compendium of 100+ animal names (i.e., nouns) that are also used as verbs in the English language is posted here. The list includes verbal usages that relate directly and indirectly to the noun’s meaning, analogies and unrelated verbal definitions. There are many different animal classes and every animal in the world belongs to one of them.
This list is divided into the five most well known classes of vertebrates (animals with backbones) that are mammals, birds, fish, reptiles, amphibians. and is subdivided into common categories of vertebrate animals, together with a category of invertebrates.
Continue reading “Now Online: List of 100+ Animal Names Used as Verbs”
Future of the Brain: Essays by the World’s Leading Neuroscientists
edited by Gary Marcus and Jeremy Freeman
Review by Amy Ione
Posted: Leonardo Reviews, May 2017
One of the Times Higher Education’s Best Books of 2015, Future of the Brain offers a compilation of original essays by leading brain researchers. Divided into seven sections, the range and disparities of the authors’ views underscore the dearth of an overarching theory researchers apply to studies in this area. Cross-references among chapters do, however, remind us that science itself succeeds through communication among scientists about what their data says. Also noteworthy is that, even given the spectrum of views, most of the authors share a “we can do this” attitude: They are confident we can and will eventually understand the brain. Suffice it to say, as Gary Marcus, one of the book’s two editors notes: “Neuroscience today is a collection of facts, rather than ideas; what is missing is connective tissue. We know (or think we know) roughly what neurons do, and that they communicate with one another, but not what they are communicating” (p. 205).
The first section, mapping the brain, presents connectome projects. This idea (with computation) is the primary research paradigm presented in the book. Essays by Mike Hawrylycz, Misha Ahrens, Christof Koch, Anthony Zador, and George Church set the stage for this book’s survey of current efforts to understand brain connectivity through mapping and imaging neural activities of mice, strategies for reverse engineering and so forth. Computation, the subject of the second section, includes essays by May-Britt and Edvard Moser, Krishna Shenoy, Olaf Sporns, and Jeremy Freeman. Together the two sections argue that the brain is an organ of computation and scientists need to figure out what the brain is computing. Continue reading “Book Review by Amy Ione: Future of the Brain: Essays by the World’s Leading Neuroscientists”
St Andrews has posted an edition of Euclid that is a richly saturated, tri-tone experiment in explaining the complexities of the foundations of geometry through shape and colour. This work, from the mid-19th century, conjures up Mondrian paintings, or Bauhaus and De Stijl schools of design. The following link offers a look at the work and some commentary: https://standrewsrarebooks.wordpress.com/2016/01/28/reading-the-collections-week-46-math-becomes-art-in-byrnes-1847-colourful-euclid/
The interview with Amy Ione, Director of the Diatrope Institute, is now included in the Interviews from Yale University Radio (WYBCX) index of The Art World Demystified, Hosted by Brainard Carey. It is available at http://museumofnonvisibleart.com/interviews/amy-ione/. This collection is an oral history of the Lives of the Most Excellent Artists, Curators, Architects, Critics and more, like Vasari’s book updated.