In balancing a range of art practices with socio-political realities, Soul of a Nation: Art in the Age of Black Power 1963-1983 effectively demonstrates that there isn’t a Black art per se but rather a Black experience that informs what, how, and where Black artists present and re-present. The project also superbly presents the rich contributions of African American artists are an important and integral part of American Art, despite their often being underrepresented in art histories. While the catalog expands one’s understanding of the exhibition immeasurably, I was glad to have the opportunity to engage with the actual size works so as to optimally experience the interweaving of artistic insights and materials with concepts like Black Power, Black Pride and the array of social realities that informed the work (e.g., the Watts riots) . Still, the catalog is invaluable. Reading curator Mark Godfrey’s essay on Black abstraction in the publication before visiting the exhibition primed me to see the socio-political elements through the eyes of individual artists musing about material objects and black identify in tandem. In essence, his essay, co-curator Zoé Whitley’s essay, and the recollections from a number of people associated with this art in the documentation, all of whom were black participants, further underscored that there is a black American culture to celebrate, one that has thrived despite its peripheral place within institutions. Furthermore, the written material demonstrate the value of critically engaging with objects on a number of levels.
Presented by the Center for the History of Collecting, Frick Art Reference Library, The Frick Collection, NY
Thursday, May 23, 2019, 2 – 7 p.m.
This half-day symposium focuses on collecting site-specific, large-scale, and light-based works by artists including, among others, Walter de Maria, Nancy Holt, Robert Smithson, Michelle Stuart, and James Turrell. A panel of scholars, curators, collectors, an artist, and a conservator explores related challenges of installation, maintenance, preservation, and ultimate stewardship. Virginia Dwan, Suzaan Boettger, Jarl Mohn, Jessica Morgan, Leonard Riggio, and Michelle Stuart are among the participants. Sponsorship from the Robert H. Smith Family Foundation and Northern Trust has made this event possible.
April 25 – August 11, 2019
DePaul Art Museum
New Age, New Age: Strategies for Survival is an exhibition of work from the last fifteen years by contemporary artists who appropriate, critique, or embrace “New Age” aesthetics and concerns from a 21st century perspective. Emerging in the 1960s and 1970s against a backdrop of war, social strife and a crisis of modernity, the multifaceted New Age “movement” was characterized by alternative approaches to traditional Western culture, with an interest in spirituality, mysticism, holism, and environmentalism. It embodied a complicated conflation of politics, religion, science, social communities, art, music, and self-realization. Often dismissed for its association with drugged out hippies or flower-power children, how can New Age philosophies and practices be reconsidered today as relevant movement for social change and wellness?
Maikoiyo Alley-Barnes, Lise Haller Baggesen, Alun Be, Elijah Burgher, D. Denenge Duyst-Akpem, Whit Forrester, Desirée Holman, Cathy Hsiao, Michiko Itatani, Rashid Johnson, Marva Lee Pitchford-Jolly, Jenny Kendler, Liz Magic Laser, Matt Morris, Shana Moulton, Heidi Norton, Tony Oursler, Mai-Thu Perret, Robert Pruitt, Bob Ross, Luis A. Sahagun, Mindy Rose Schwartz, Suzanne Treister, Rhonda Wheatley, Megan Whitmarsh and Jade Gordon, Saya Woolfalk
This interview with Janet Echelman is from the Washington Post’s series of conversations with artists about how they create. The interview includes images of her wonderfully crafted art. For those who don’t know her, her transformative public sculptures soar and ripple. For the past 20 years she has designed projects scaled to big city buildings made with braided fiber and projected light.
Here’s the link.
Gertrud Schiller. Iconography of Christian Art (Volumes I and II). Lund Humphries, 1972. A few pages have highlighting. Also pencil checks, asterisks, and brackets in some margins. One volume has a marked out name on front end page. Both volumes in dust jackets. Good in good dust jacket. Hardcover. (#29884)
(Out of Stock)
Definitely worth a visit. Exhibition is from February 22–May 27, 2013.