Berkeley in Place,’ a short film created for Berkeleyside by Pedal Born Pictures shows the city of Berkeley seen from the sky as its residents shelter in place in March 2020 due to the COVID-19 pandemic. (More on Pedal Born Pictures: https://www.pedalbornpictures.com/)
Berkeleyside is the award-winning, independent news site in Berkeley, California, reporting on the extraordinary diversity of people, issues, events, food and environment in Berkeley and the East Bay.
Image-making, research and visual technologies have shaped each other over the past century and a half, argues Geoffrey Belknap, marking Nature’s anniversary. here
From the essay:
“Over the years, Nature adapted through its succession of editors, with, in recent decades, ‘sister’ journals carving out their own space in increasingly specialized scientific disciplines. Images remained central throughout. For instance, in 1896, Nature published physicist Wilhelm Röntgen’s first X-ray plates1; in the 1920s, maps to debate Alfred Wegener’s theory of continental drift2; and in 1968, the graphs that described astrophysicist Jocelyn Bell Burnell’s discovery of pulsars.”
Recently, Sarah Lewis, a Harvard professor organized a two-day Vision and Justice conference on the role of the arts in relation to citizenship, race, and justice. As it turned out, she experienced some of this unconscious bias at this very event. Her essay exploring the relationship between racism and the camera, titled The Racial Bias Built Into Photography, was published by the New York Times on April 25, 2019.
At the conference, a technician categorizing light skin as the norm saw other skin tones as needing special corrective care. As Lewis, a black women, explains:
“My work looks at how the right to be recognized justly in a democracy has been tied to the impact of images and representation in the public realm. It examines how the construction of public pictures limits and enlarges our notion of who counts in American society. It is the subject of my core curriculum class at Harvard University. It also happened to be the subject of my presentation that day.”
CALL FOR PROPOSALS:
Submission Deadline: Monday, June 3, 2019
The Newberry Seminar in American Art and Visual Culture is open to those working in the art history and visual culture of the United States, from the colonial era to the present. They are inviting papers that cross and challenge borders both within and outside the discipline that engage questions of methodology and ideology, examine exhibition and provenance history, probe the categories of race, ethnicity, class, and gender, and reflect critically on the state and outlook of the field.
They also welcome topics focusing on Chicago art and design within the larger national and international contexts, such as: thematic studies on world’s fairs, Chicago’s Gilded Age, institutional/private/corporate display practices, urban landscapes, African-American art past and present, and self-taught artists.