Bard Graduate Center, February 23 – July 8, 2018
The transition from roll to codex as the standard format for the book is one of the most culturally significant innovations of late antiquity, the period between the third and eighth centuries AD.
This exhibition offers a concise history of the first steps of the codex book format from a technical and technological point of view. Specifically it focuses on the different techniques used to turn leaves of papyrus or parchment into a functional book that could be safely used and preserved.
Anti-Confucian Propaganda in Mao’s China is a compelling exhibition installed in Geisel West, 2nd Floor near Special Collections & Archives on the University of California, San Diego campus. Collected by Matthew Wills, a doctoral candidate in the Department of History, the materials in the exhibition reflect a 1970s campaign to reinforce the power of political elites and affirm the absolute correctness of Maoist socialism. Some of these materials are no longer available in China.
Continue reading “EXHIBITION: Anti-Confucian Propaganda in Mao’s China”
Workshop organised by Dr Kim M. Hajek and Prof. Mary S. Morgan
3 June 2019, London School of Economics and Political Science
In the history of science, especially of the human and observational sciences, it has often been the case that knowledge-making activities drew upon many ‘voices’—accounts of a storm given by different observers; patient voices incorporated into a psychological case history; myths transcribed by an anthropologist. What many of these examples share is that the information provided by different voices takes narrative form in its own right. Yet scientists have also organised them into related groupings or broader narratives, as a way to elucidate particular research problems.
This workshop asks how narrative has helped scientists to configure extended chunks of information, and ultimately to manage a multiplicity of voices in their enquiry. Using case studies from across a range of fields, workshop participants explore the roles played by narrative forms of explanation both within and across the contributions of multiple voices to science. Of particular concern are the ways that narrative serves to order polyphonic material into a larger epistemic scheme, and reciprocally, how narrative valorises or suppresses particular voices, or indeed shapes what counts as a ‘voice’ at all.
For more information on the project, please see: www.narrative-science.org
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Exhibition: “Small Steps, Giant Leaps: Apollo 11 at Fifty”
April 30-August 3rd, 2019
Marks the 50th anniversary of the Apollo 11 moon landing. Combines works from Houghton’s history of science collections, including first editions of Copernicus, Newton, and Galileo, with highlights on loan from a private spaceflight collection, including materials used in the Apollo mission and on the lunar surface.
The exhibition is accompanied by a commemorative catalog which focuses on the loaned items only and is also available for free online here.
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St Andrews has posted an edition of Euclid that is a richly saturated, tri-tone experiment in explaining the complexities of the foundations of geometry through shape and colour. This work, from the mid-19th century, conjures up Mondrian paintings, or Bauhaus and De Stijl schools of design. The following link offers a look at the work and some commentary: https://standrewsrarebooks.wordpress.com/2016/01/28/reading-the-collections-week-46-math-becomes-art-in-byrnes-1847-colourful-euclid/
How did the University of Tulsa land the coveted Bob Dylan archive? The coup was the result of a lengthy courtship that began more than a year ago, see article here